Sustainability challenges in the fashion industry: Civilization crisis, decolonization, cultural legacy, and transitions

Miguel Ángel Gardetti; Rosa Patricia Larios-Francia

doi:10.1007/978-981-99-0349-8

Sustainability challenges in the fashion industry: Civilization crisis, decolonization, cultural legacy, and transitions

Miguel Ángel Gardetti (Editor), Rosa Patricia Larios-Francia (Editor)

Producción científica: Informe/libro › Libro › revisión exhaustiva

Resumen

La moda, y el crecimiento de la moda, se presentan como la manifestación de un proceso de civilización, dentro de una cultura capitalista (entendida como la posesión material) que se ha globalizado e imperializado, de la cual, en un sentido económico, la industria (¿o el sistema de moda?) funciona como uno de sus principales instrumentos de explotación. Y con respecto al diseño, Arturo Escobar dijo: "¿Puede el diseño desprenderse de sus raíces en las prácticas modernistas de insostenibilidad y desfuturización y reorientarse hacia otros compromisos, prácticas, narrativas y actuaciones ontológicas? Además, ¿puede el diseño formar parte del conjunto de herramientas para la transición al pluriverso (es decir, un mundo en el que quepan muchos mundos)?" Este libro presenta la importancia de la sostenibilidad cultural en la industria textil y de la moda, descolonizando el sistema de moda y promoviendo el diseño para las transiciones.

Idioma original	Inglés
Lugar de publicación	Singapore
Número de páginas	313
ISBN (versión digital)	978-981-99-0349-8
DOI	https://doi.org/10.1007/978-981-99-0349-8
Estado	Publicada - 2023

Serie de la publicación

Nombre	Sustainable Textiles: Production, Processing, Manufacturing & Chemistry
Editor	Springer
ISSN (impreso)	2662-7108

Palabras clave

Moda sostenible
Moda cultural
Cultura sostenible
Textiles sostenibles
Innovación social
Diseño textil artesanal
Artesanía tradicional india
Moda artesanal

ODS de las Naciones Unidas

Este resultado contribuye a los siguientes Objetivos de Desarrollo Sostenible

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10.1007/978-981-99-0349-8

1 Capítulo de libro

Other voices: Dynamic tradition, empowerment and Andean fashion in Peru
Larios-Francia, R. P., Burgos, A. M. & Sanchez Jimenez, J. J., 11 jun. 2023, Sustainability challenges in the fashion industry: Civilization crisis, decolonization, cultural legacy, and transitions. Gardetti, M. Á. & Larios-Francia, R. P. (eds.). p. 127–140 (Sustainable textiles: Production, processing, manufacturing & chemistry).
Producción científica: Capítulo del libro/informe/acta de congreso › Capítulo de libro › revisión exhaustiva

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title = "Sustainability challenges in the fashion industry: Civilization crisis, decolonization, cultural legacy, and transitions",

abstract = "Fashion, and the growth of fashion, are presented as the manifestation of a process of civilization, within a capitalist culture (capital understood as material possessions) that has become global and imperialist, of which - in an economic sense - the industry (or the fashion system?) functions as one of its main instruments of exploitation. And with respect to design, Arturo Escobar said: {"}Can design detach itself from its roots in modernist practices of unsustainability and defuturization and reorient itself towards other commitments, practices, narratives and ontological enactions? Moreover, can design be part of the toolkit for the transition to the pluriverze (i.e. a world in which many worlds can fit)?{"} This book presents the importance of cultural sustainability in the textiles and fashion industry, decolonizing fashion system and promotes the design for transitions.",

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year = "2023",

doi = "10.1007/978-981-99-0349-8",

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N2 - Fashion, and the growth of fashion, are presented as the manifestation of a process of civilization, within a capitalist culture (capital understood as material possessions) that has become global and imperialist, of which - in an economic sense - the industry (or the fashion system?) functions as one of its main instruments of exploitation. And with respect to design, Arturo Escobar said: "Can design detach itself from its roots in modernist practices of unsustainability and defuturization and reorient itself towards other commitments, practices, narratives and ontological enactions? Moreover, can design be part of the toolkit for the transition to the pluriverze (i.e. a world in which many worlds can fit)?" This book presents the importance of cultural sustainability in the textiles and fashion industry, decolonizing fashion system and promotes the design for transitions.

AB - Fashion, and the growth of fashion, are presented as the manifestation of a process of civilization, within a capitalist culture (capital understood as material possessions) that has become global and imperialist, of which - in an economic sense - the industry (or the fashion system?) functions as one of its main instruments of exploitation. And with respect to design, Arturo Escobar said: "Can design detach itself from its roots in modernist practices of unsustainability and defuturization and reorient itself towards other commitments, practices, narratives and ontological enactions? Moreover, can design be part of the toolkit for the transition to the pluriverze (i.e. a world in which many worlds can fit)?" This book presents the importance of cultural sustainability in the textiles and fashion industry, decolonizing fashion system and promotes the design for transitions.

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KW - Moda artesanal

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Sustainability challenges in the fashion industry: Civilization crisis, decolonization, cultural legacy, and transitions

Resumen

Serie de la publicación

Palabras clave

ODS de las Naciones Unidas

Acceder al documento

Huella

Producción científica

Other voices: Dynamic tradition, empowerment and Andean fashion in Peru

Citar esto