Laortometría en contexto. La teoría del ritmo acentual del verso español de Manuel González Prada a la luz de la "escuela americana" de estudios versológicos. Andrés Bello, Miguel Antonio Caro y Ricardo Jaime Freyre

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Abstract

In Ortometría (Orthometrics), probably the only metrical treatise by a Peruvian writer, Manuel González Prada (1844-1918) offers an original interpretation of the rhytmic pattern of Spanish verses. Under the influence of both A. Bello and M. A. Caro, González Prada, notwithstanding, differs from them in significant issues, as he differs also from contemporary scholars such as Ricardo Jaimes Freyre. In a most radical manner, González Prada underscores the role of the verse-pause and emphasizes the role of the “rhythmic elements” (i. e., the feet), an operation functional to the poetry and the prose of two of his last poetic works: Minúsculas (1901 and 1909) and Exóticas (1910). Keywords: Ortometría, M. González Prada, the rhythmic pattern of Spanish verse, A. Bello, M. A. Caro, R. Jaimes Freyre, Minúsculas, Exóticas
Original languageSpanish
Title of host publicationPeruanismo en Burdeos : homenaje a Manuel González Prada y Bernard Lavallé
Subtitle of host publicationSelección del IX Congreso Internacional de Peruanistas en el extranjero: Recherches sur le Pérou
EditorsJosé Antonio Mazzotti, Isabelle Tauzin-Castellanos
Place of PublicationBordeaux
Chapter247-268
Edition1 edición impresa
StatePublished - Sep 2020
EventIX Congreso Internacional de Peruanistas en el Extranjero: «Homenaje a Bernard Lavallé y 100 años de la muerte de Manuel González Prada» - Université Bordeaux Montaigne, Burdeos, France
Duration: 21 Nov 201823 Nov 2018
Conference number: IX

Conference

ConferenceIX Congreso Internacional de Peruanistas en el Extranjero
Country/TerritoryFrance
CityBurdeos
Period21/11/1823/11/18

Bibliographical note

Este libro cuenta con el auspicio del Institut Universitaire de France y de la Université Bordeaux Montaigne.

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